MARINA ADAMS is a painter based in both NYC and Parma Italy. She earned degrees from Tyler School of Art, Temple University and Columbia University.
Recent solo exhibitions include Anemones at Salon 94 Bowery NYC, which was accompanied by a new monograph (2019); and The Secret of Greek Grammar at Larsen Warner Gallery in Stockholm, Sweden. An upcoming solo exhibition at The Modern Art Museum of Fort Worth will open in late March, 2020. In 2016, Adams presented a solo booth with Karma Gallery and Books at the Independent, NY, concurrent with their publication of her book, titled Portrait and a Dream. Past solo shows include Galerie Gris, Hudson, NY (2015; 2013); Hionas Gallery, NYC (2013), CUE Art Foundation, NYC (2008), and Magazzino d’Arte Moderna, Rome, Italy (1997).
Recent group shows include Aspects of Abstraction, Lisson Gallery NYC, Artemisia, Baronian Gallery, Brussels, Belgium and A Space for Thought, Brand New Gallery, Milan, Italy, as well as Vanishing Points curated by Andrianna Campbell at James Cohan Gallery, NYC, Quicktime at the University of the Arts, Philadelphia, PA and Say Yes at Wayne State University, Detroit, MI. Her work was also included in Making & Unmaking: An exhibition curated by Duro Olowu, Camden Arts Centre, London, UK and at Nathalie Karg Gallery, NYC. Adams co-organized with CAMH curator Dean Daderko the large group exhibition Sex in the City at D.U.M.B.O. Arts Center, Brooklyn, NY (2007).
Adams has collaborated with poets generating Actualities with Norma Cole (Litmus Press, 2015); Portrait and a Dream with a poem by Charles Bernstein; Taormina with Vincent Katz (Kayrock, 2012), The Tango with Leslie Scalapino (Granary Books, 2001) and Vue sur Mer with Christian Prigent (Gervais Jassaud, 2010).
She is a 2016 recipient of the John Simon Guggenheim Memorial Fellowship, and received the 2018 Award of Merit Medal for Painting from the American Academy of Arts and Letters.